The Everlasting Bride

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Alice sat in one of the narrow stone paths that ran between the flower beds at Gene Stratton-Porter, staring at a bee busy within the center of a large pink flower. She should not have sat in the middle of the path; she wouldn’t be able to get up again. She was so, so tired, and stared at the bee without seeing it.

She should be at work. She needed the money. Money was freedom. But she couldn’t do it anymore–school and work and family, and the dark movements beneath them all she couldn’t escape. This was a peaceful corner, a place where she could breathe.

Last month, just last month, she had been at youth conference. She had known, deeply, her sin, so many sins, and known, somehow, that God loved her. That Jesus had forgiven her. And she had even glimpsed, impossibly, that it was possible to move out of the black ruts of her life–her so-called friends, her parents, her own broken nature. She had not expected it to be easy. Honestly, she thought it might be impossible. But for a day, she understood it might not be.

She should have sat on a bench, but the nearest was beneath the long, dim arbor, where the vestiges of a simple wedding were being removed. Above, the afternoon was dimming beneath wind-swept clouds.

The bee flew off. Alice looked round for something else. Nearby, a black toad sat, a dark stain among the bright flowers. She felt a keen kinship with it and reached out for it. It leapt away.

Her roving eyes looked again upon the arbor. The bride moved within, near the small table that must have served as altar. She picked up the cross there, held it beneath her arm, and took up the candle.  She was beautiful, dressed in white, but she spoke and moved with an everyday air, as if she were just a relative cleaning up, not the one just married. She seemed content, even happy, but in the most ordinary way, as if a wedding were the daily habit of life.

This struck Alice, and she could imagine this bride at home, in the kitchen, burning water in that elegant gown. And what if she did? What if she worked the drive thru, veiled, to make ends meet, as angry customers complained of wrong orders? Or walked down the aisle of Kroger’s, young child wailing, white slippers sliding across the tiles? Or wept upon a threadbare couch, red-faced after an argument with her mother, tears streaking her fine makeup? Alice saw the dress, spotless and untainted, in a thousand postures of suffering and toil and mundanity–jumping the rusted van, paying the bills, visiting the ER at half past midnight, waking up in the middle of the night, alone, with anxiety over something that she couldn’t even put into words, and rising panic…

Alice turned away, tears in her eyes. She cried, angry and ashamed at her emotion, but inside she ached, ached with some truth terrible and beautiful. The bride, even after the wedding, the bride for all the days after, still pristine and virgin and gorgeous, forever the bride, unchanging and worthy of celebration.

Alice prayed, then, in the garden as she had not since those days a month ago when she first saw how God saw her.

Why You Should Read Manalive

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G. K. Chesterton

G. K. Chesterton

G. K. Chesterton is possibly the most quotable human being of the last 200 years. He writes in surprising, paradoxical, enlightening nuggets. Here are some example:

  • The Bible tells us to love our neighbors, and also to love our enemies; probably because generally they are the same people.
  • Art, like morality, consists of drawing the line somewhere.
  • Without education, we are in a horrible and deadly danger of taking educated people seriously.

With a quick Google search, you can find many, many more like these.

I was first formally introduced to Chesterton when my English professor told me I would enjoy his book Orthodoxy. I did. It’s a wonderful book that tells of Chesterton’s own coming to Christianity through his consideration of asylums, faerie tales, and apparent contradictions. I devoured the book.

Since then I have read many of his Father Brown mysteries, which are more accessible than Orthodoxy, and listened to The Man Who Was Thursday, which was particularly exciting because I had just had my wisdom teeth out.

I’ve had my eyes on another novel of his, Manalive, for quite awhile. Basic premise: A wildly eccentric man, Innocent Smith, is accused of heinous crimes, like shooting men and polygamy and theft, but the key to understanding them all is Smith’s exuberant love of life.

And, like all short summaries of great books, this tells you almost nothing about why the book is so great.

There’s a lot I could say about the lyrical language, the witty exchanges, the humorous characters, and the surreal adventures of Smith, and these each add to the tapestry of the book tremendously, but the heart of the story is in its ability to make the reader feel, along with its characters, that life really is more wondrous than we normally admit and that it is one of the struggles of life to keep that wonder before us.

Take for instance the telegram Smith sends his old school friend: “Man found alive with two legs.” The modern scientific men of the book find this message to be a sign of Smith’s imbecility. I mean, seriously, all men have two legs. What’s the big deal? Now three legs, that would be truly unusual.

But for Smith, and increasingly for the reader, the wonder of even having two legs becomes immensely important. To borrow yet another Chesterton quote: “When we were children we were grateful to those who filled our stockings at Christmas time. Why are we not grateful to God for filling our stockings with legs?” Smith’s innocence is that he has become a person who takes everything as a gift and every joy as something new; and the joy of Manalive is that it does, in a very real way, make the reader begin to understand and even yearn for such a view of life.

I refrain from giving many more examples because I think it is best to read the book and let it unfold. Suffice it to say, there are picnics on rooftops, bullet holes in hats, travels around the world in striped pajamas, philosophical passages concerning puddles, house break-ins, and more than a few marriage proposals, mostly from one man. Innocent Smith, with his elephantine body, small head, and childlike activity, treats the tenants of Beacon House to a few quite eventful days, though his actions eventually lead to an impromptu trial to determine not only his guilt, but his sanity. It’s a book full of wit and commentary that’s still relevant even after 100 years.

And though it comments on many things, and mocks many things, and laughs gleefully at about everything, if I had to sum up its theme in one last Chesterton quote, perhaps it would be this: “When it comes to life the critical thing is whether you take things for granted or take them with gratitude.”

And Manalive certainly aids with the latter.

Sesquipedalian

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words resound like operatic orations,
a natatorium’s vibrations,
nugatory noises conducive to connotations
despite dubious denotations.

It’s galimatias of the grandest kind!
A gauche gallimaufry of alphabetic signs!
Alas! Alack!
The verbal rack
Of words interred in eons past!
I am fain to flaunt this
idioglossian resurrection,
for I’ve no typhlosis
to fustian’s fulsome panticulation.

A logomachy
in reality
can only be
fought brutally,
for logically
all victory,
invisibly.
is cruelty—
a truly supersensual schiamachy.

My Chaubunagungamaug pedagogue,
living on Lake Chargoggagoggmanchauggagoggchaubunagungamaugg
once said:
I expatiate with Entish vigor,
ignoring all consuetudinary rigor,
not for Mammon, wherewithal, or sterling,
nor for any dulcinea or darling,
but simply because I figure,
I have a predilection for making words bigger.

Local Man Struck By Lightning Survives

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It’s time to share another story from the archives. First, though, a memory.

I remember staring at the sky as I lay in the bed of a truck on a road between Marysville, OH, and Bellefontaine, OH, at the end of a day working at Honda Homecoming, where I was helping my dad man a parts booth for the weekend. I had this story idea of a depressed man who needed money or something and a cloud that dropped to the earth, which the man carved a home out of. I was taken with the story but I couldn’t find a plot, just an idea.

Flash forward. Sometime later I’m at the Auburn Cord Duesenberg Auction in Auburn, IN, doing a stint as a reporter. For some reason, my old idea about the clouds comes to me while I’m trying to find my quota of stories for the day.

These are two threads (of several) that led to the creation of the story you’re about to read. They aren’t necessarily clear threads to the reader, but I still remember their influence. This convergence of many ideas is one that happens often in the concocting of a story and encapsulates a process both mysterious and fascinating; it’s one of the really exciting things about being a writer.

Anyway, to the story at hand. “Local Man Struck By Lightning Survives” was one of my early “greats,” in the sense that I felt like I had finally figured out (or stumbled upon) a way to write a really good story. I place it up with “The Memory” as a personal milestone. Plus, it’s one of the first non-fantasy stories I was proud of.

So, without anymore delay, here’s “Local Man Struck By Lightning Survives.” –> Local Man Struck by Lightning Survives – Nick Hayden

The Basic Plot Everyone Forgets

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In writing class, I was taught there were nine basic plots that describe all stories, plots like Man vs. Man, Man vs. Nature, and Man vs. God. Add the other six in, and these conflicts cover most of known literature.

There is, however, one basic plot I have never seen on any list, despite the fact that an entire genre of story revolves around it. It’s a struggle fundamental to mankind and native to us since infancy and yet ignored by English professors everywhere.

Man vs. Sleep.

Pick up any book written for young children, and nine times out of ten it ends with the main character falling asleep. Whatever else the book is about, the fundamental conflict is “Will this child finally close his stubborn eyes or not?”

Classic example: Good Night Moon. What drives this story? The deep desire of the old lady whispering hush to get her too-awake bunny to finally nod off. Sure, the conflict’s implied, but the poor parent reading the book for the umpteeth time feels it deep in her tired, tired bones.

From Guess How Much I Love You to The Sleep Book to The Napping House, the first lesson we want to teach our children in the books they read is to close their eyes and keep them closed, for goodness’ sake.

This is not a lesson well-learned, though. Young adult novels should be written with this crucial conflict at the center. We, as a people, do not know how to sleep. Never mind that we manage do other things necessary to our survival, like eat and drink and eliminate waste without anyone telling us. A healthy person does not look at dinner and think, “Well, if I don’t eat for another four hours, I’ll squeeze just a bit more life into the day.” He may scarf down a Gordita while watching Stranger Things, but he’ll get something in his stomach; and even the most dedicated MMORPGer will find a few minutes to slip to the bathroom between fetch quests.

But sleep! We meet again, my mortal enemy (and dearest friend)! We display, I believe, our innate fallenness in our relation to sleep. To lose a third of our lives is a tragedy, we think. To stay up late and drink deep of amusements (and energy drinks), to sleep in and hide vainly from the reality of day, these are things parents try to disabuse their children of, from a very early age, and which we do anyway when we grow up. We want to control, limit, stretch, beat, and generally enslave that thing called sleep.

In college, a friend was always exhausted from staying up late studying and hanging out and reading his Bible and whatnot. I shared a verse with him, a bit light-hearted, which he took seriously and with relief.

In vain you rise early
    and stay up late,
toiling for food to eat—
    for he (God) grants sleep to those he loves” (Psalms 127:2).

His struggled with sleep because it had become his enemy, as it seems to be too all of us from  the first. But if it is a gift…. If we could only be as trusting as all the little children and rabbits and bears and other woodland creatures in all those board books and fall asleep peacefully in our Father’s arms, we’d be much happier, I think.

Tired parents, of course, already know that. We want to sleep more than our children do. And that’s why, I think, God adds, almost with a wink, the next verse: “Children are a heritage from the Lord, offspring a reward from him.”

And so it’s off to the quarter-past-why-does-this-time-exist, where we join our own story to the Man vs. Sleep struggle.

Stuart Lem: War Hero

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It’s time once again for a story from the archives! This week it’s “Stuart Lem: War Hero.” Man, I used to dream about a book/TV series based on Stuart Lem all the time in late high school/early college. It’s weird to re-read it now because 1.) I think it’s still lots of fun 2.) I wonder why haven’t I dreamed about working on it again in recent years? Seriously, I’ll have to revisit this idea sometime.

But, anyway, you don’t have any idea what I’m talking about, do you? Let’s quote part of a note a wrote about it for a collection I made way too long ago:

Author’s Note: Ah, “Stuart Lem: War Hero.” This is the second complete reworking of a short story from high school, if you don’t include the television script I started. This is the original Stuart Lem, a name (for reasons too uninteresting to explain) later given to a megalomaniacal personality invented for the early Derailed Trains website (a writer’s website) and then transferred to the despotic headmaster in The Story ProjectThis story holds a perennial fascination for me—the love story running beneath an action flick that has been transmuted into an everyman’s life. It’s my attempt to fill the modern world with a sense of wonder, to pull out the wars that exist in anyone’s life and make them overt, comical, and interesting. Stuart Lem deserves a book. Stuart and Miranda’s love story deserves a book. Other characters that did not make it into this reworking deserve a book. Maybe, someday, they’ll get one.

So, download the story, read it, and if you like it, tell me! Maybe someday I’ll finally get around to writing more stories of Stuart and Miranda.

Download here–>Stuart Lem: War Hero by Nick Hayden

 

A Madman’s Tale

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In my continuing effort to catalog all my old stories here, I present “A Madman’s Tale.” Here’s the author note I wrote about it ages ago:

Every once in awhile I write a story that I laugh gleefully over while everyone else shakes their heads. I think this is one of those. It was originally my attempt at a “fairy tale,” but it became a chaotic exuberance of mad scientist mayhem. If there is any specific inspiration, it may be “The Man Who Killed Mohammed” by Alfred Bester. Read it.

Or, if that doesn’t convince you, here’s the first paragraph: “Once, there was a scientist who invented a portal to alternate dimensions. Now, this was no ordinary scientist. He was, in the accepted terminology, a mad scientist. It should go without saying that such a scientist must be mad, since ordinary scientists are abundantly content with making mice glow in the dark, or growing human ears on the back of mice, or making cotton candy grow in the place of fur, without bothering with all the mess of space-time and 11-dimensional sub-sub-atomic particles, and all the rest. Because, you see, the ordinary scientist (being ordinary) believes making an edible, phosphorescent mouse with ears the size of your uncle’s is utterly mad, but the mad scientist (being mad) finds such experiments only pitiable.”

It’s not a long story, but it’s quirky and fun, and features a mad scientist named Victor Von Victorstien, so take a few minutes and enjoy! Here’s A Madman’s Tale by Nick Hayden.

Then I Woke Up and Smelled the Perfume

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Another poem from the archive. This was the first sonnet I ever wrote. Maybe it’s not a good sonnet, but still, it was the first sonnet I ever wrote. That has to count for something.

Your eyes are glue drops caked with pixie dust,
the ones you used to make me make “for fun.”
I hated that. I’d pick at Elmer’s crust
and wish some bullets for my plastic gun.
I’ve said before your mouth’s a double dutch
with smiles and frowns exchanged in girl-brain time.
I never got a word in edgewise much
except that Halloween you played the mime.
You know your hair’s like lakeweed thrown in rage.
(Not that you ever hit me, anyway.)
We’d fish and make up monsters—Pigtail-phage,
remember? Splash! A girl’s good bait, they say.
That’s how you used to be—my crucible.
But now…but how’d you get so beautiful?

Vanishing Point

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Chase leaned against the metal railing that kept him from falling onto the railroad tracks below. The bridge he stood on was old and wooden, with thick, hammered-over nails holding it together. He’d found the remote spot soon after getting his license as he drove, turning at random, just to get away. He returned whenever life threatened to burst at the seams.

The tracks ran straight from the horizon, beneath the bridge, and onward, unerringly, beyond where sight could follow. Chase waited in the hot sun on the worn, baking planks, staring at the point where the two rails disappeared into eternity.

A train would come. One always did, eventually, bearing down toward him, 100 tons of unstoppable metal roaring beneath him, shaking the bridge, sundering the isolation into energy and sound, smashing the moment, shattering all moments–and Chase closed his eyes and imagined the force of impact, the rush, the final moment.

He would never jump. He did not want to die. But he wanted, he needed, he ached for something to splinter him, to fling him brutally into the air, to exchange this endless collection of days into a moment of indescribable and violent beauty.

The blue sky, the bright summer trees, the mathematical elegance of the parallel lines racing to the distance brought him no peace. He felt only anxiety and emptiness. There was not a cloud in the sky.

He heard a car approach. One did, occasionally. This one parked at the little pull-off before the bridge. A man, maybe 30, and his son, maybe 6, got out and began rummaging in the bushes at the road’s edge. Chase watched out of the corner of his eye.

A few minutes later they emerged, both grinning in the same way. The father pointed toward the bridge. Chase moved slowly toward the other side.

The two looked out over the railing, the father directing his son’s attention to the tracks. “The road goes ever on and on,” he said.

“What did you say, Daddy?”

“It’s from Lord of the Rings. You’ll have to read it someday.”

The boy turned toward Chase. “We found your cache.”

Chase stared at the boy, not knowing how to respond.

“I don’t think it was his,” said the father. He addressed Chase. “We found a geocache over there.”

“A what?” Chase asked.

“It’s like a treasure hunt. They’re everywhere, containers people hide for others to find. It’s like an adventure in your backyard, mysteries hidden in everyday life.” He looked over the tracks again. “This place is awesome. I live like seven miles from here and I never knew this existed.” He pointed. “Look, Jack, a train’s coming!”

The boy saw it then and pressed against the bars, leaning over them, to get a better look. The train barreled toward them, its long body stretching behind; it shot beneath them, the bridge shuddering as it continued on and on–then it was gone, dragging its din after it.

“Where’s it going, Daddy?”

The father’s eyes glinted. “You want to follow it?”

The son nodded.

“Quick. Back in the car.”

In a minute, they were gone. They’d never catch the train, Chase knew. But he looked down the road after them and wondered if they could.

Originally published in the 4County Mall, June 7, 2016.

Lunatic Pandora

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Another Friday, another story unearthed from the archives. This week it’s “Lunatic Pandora,” a story about what happens when the sky begins to fall. Literally. First in little flakes, then in larger shards. The story’s more than 10 years old, so there are a few dated references, but it’s a humorous, surreal story that I’ve always enjoyed.

Then, one day, the sky began to fall.

No one noticed at first except the scientists. Soil samples indicated trace amounts of sky, which was first regarded as a lab error, then as a scientific prank. Victor Von Frank, a man with three doctorates and no sense of reality, was the first to announce that he had isolated the “sky particles.”

A year later, after many duplicated tests, Time and Newsweek announced the results to the public. The tabloids had done so six months earlier.

It was not considered an immediate problem. There is plenty of sky, the respected senator from Montana argued. A few flakes drifting away here and there can’t hurt.

The title, by the way, is stolen from the Final Fantasy 8 song that inspired the story.

Download it, read it, share it, enjoy –> Lunatic Pandora by Nick Hayden