Subscribe to the Official Works of Nick Newsletter!

0

The Paper Boy

Mike Bailey-Gates via Compfight

One of my goals for 2013 is to launch and maintain an email list so that I can directly fill in my readers on new publications as they come out. (Another goal is to get some of my unpublished projects out.)

So, here’s the deal. I want you to sign up. If I get at least 20 people to sign up before my book signing on February 1, I’ll send one lucky subscriber a physical copy of The Day After, a collection of short stories featuring “The House of Memories,” my one and only gothic horror story. If at least 50 people sign up, I’ll send the lucky person a physical copy of The Day After and a physical copy of Another World, my collection of flash fiction.

If, somehow, miraculously, substantially more than 50 people sign up, well, I’ll have to think of something.

Click the link below and enter your name into the hat.

Sign up for our free newsletter!

Booksigning in Warsaw, IN

0

I’ll be at The Next Chapter Bookseller in Warsaw, IN, on Friday, February 1, from 5:30-7:30pm for a book signing with my wife Natasha and fellow writer Nathan Marchand.

The three of us have done a number of projects together, which will be available at the book signing.

  • Pandora’s Box – Nathan’s military science fiction novel.
  • The Day After – a collection of short stories in various genres, including a spy comedy by Natasha, a science fiction story in the world of Pandora’s Box by  Nathan, and a gothic horror by yours truly.
  • Destroyer – a pulpy giant monster novella written by Nathan, Natasha, and Timothy Deal.

I will be releasing a short story further exploring the world of Destroyer sometime before the book signing. Stay tuned.

It should be a fun night and a great way to support local, independent authors at a local, independent bookstore. Perhaps we’ll see one or two of you there.

 

I see you now just as I always have

0

Nine years ago today I married my wife. I read this at our wedding, and it still applies. Love you, Natasha.

I see you now just as I always have:
A woman garbed in white, my Beautiful:
Your hair’s a crown of fire around the sun
Of the face that holds the mysteries of self;
Your eyes are dancing laughter on the sea
Where I shall play and dive and maybe drown;
Your lips are springs of joy overflowing,
Undrunk by any man—that I should stand
Before you now and be the first to drink!
I love you now as I desire to love.
How great is God’s unbroken sovereignty
That I might know the one whom he foreknew:
You, Natasha, who are my chosen bride!
If you ever fall, I will raise you up;
If you ever weep, let me also cry;
If you ever laugh, dance with me and sing
For I am fully yours as you are mine.
And although beauty fades and darkness comes
As Time heaps sand on sand, still God is good;
And He whose Bride we are forevermore
Gives you, my greatest gift, most graciously,
And I, full of joy and speech failing,
Can only take your hand and say, ‘Amen.’
If God, who gave His only Son and now
His blameless daughter, too — O, wondrous burden
And dreadful joy! — I look into your face,
My dearest girl, and see that God is love.

The Discarded Gift

0

A few weeks ago, friend and fellow writer Nathan Marchand suggested that we swap short stories. He would write in one of my worlds and I would write in one of his.

He chose Vienna, USA, because I’d been promoting it. He came up with “The Discarded Gift,” a Christmas story that takes place on the supposed end of the world, Dec. 21, 2012.

I’m offering it as a PDF. At 6000 words, I figure it’s easier to read as a PDF than on my site.

Here’s the download: [download file=”https://worksofnick.com/wp-content/uploads/2012/12/The-Discarded-Gift-A-Story-From-Vienna-USA.pdf” title=”The Discarded Gift”] (I ask for email address because I’m planning to start a mailing list in in 2013.)

Enjoy this free story! I’ll be adding my short story in the coming weeks, once I finish it. It takes place in the world of Destroyer, Nathan’s giant monster story.

 

Healthy Society

1

So Defensive

Jeremy Wheaton via Compfight

“Please take a seat.”

Delilah sat, facing the tribunal. Her three judges studied her, sly intelligence in their eyes.

“Delilah Thompson has asked to transfer out of her Society,” stated the center judge. His nameplate read Bailey. “Let the questioning begin.”

The tribunal examined her. Delilah met each gaze. The lady on the left, Sherman, wrote something.

“What does the symbol on your arm mean?”

Delilah glanced at the rose-and-thorns tattoo. “Pain is necessary.”

“You have recently come to believe that?”

“I have begun to understand it.”

The third judge shuffled through papers. “Your view of self began to shift six months ago. Is that correct?”

“I don’t know. Before that. I didn’t act on it at first. It was…hard.”

“It’s meant to be hard.” The tribunal spoke as three mouths with one thought; Delilah stopped trying to assign names and personalities to each judge. “The purpose of the Societies is to promote peace through uniformity. What is your opinion of the Societies?”

“They are what they are.”

“We do not believe you mean that. Let us look at the data.”

“What data is that?”

They read the list. “Female. Eighteen. Well-off, well-dressed, studious, socially conscious, involved in the community and the church, very much the norm for the Society chosen for you. Recent additions of leather, heavy make-up, tattoos, loud music. All very much within the norms for your age.”

“I don’t fit in. I need a new Society.”

“You misunderstand. Pure uniformity is undesirable. It must have its flaws. You are a predicted aberration. Spice in the recipe, so to speak. You will conform soon enough. It is the natural progression.”

“I want moved. Somewhere else—less safe, more wild.”

“How many sexual partners have you had?”

“That’s none of your business.”

“It is, in fact. Everything is our business. As far as we are able to discover, you are still a virgin. No evidence even of a boyfriend. You do not drink. You show no evidence of self-mutilation or self-medication. You have not even broken curfew. That, in fact, is why we even bothered holding this hearing. Your outward appearance has changed, but your basic actions have not, despite your demand for a change of Society. Why is this?”

“It’s not safe here. When I’m somewhere else—”

“Rebellion is about what you cannot have. You are not rebelling. You are doing something else. What is it?”

Delilah remained silent. The tribunal waited. Delilah knew now they were not going to be fooled by her acting, but she dared not tell the truth. But she could tell part of the truth.

“You said aberrations make a Society healthy,” she said.

“Aberrations are necessary for a Society to continue in an orderly manner.”

“I’ll be that aberration. Send me to a Society full of rebellion.”

The three judges looked at each other. “Let us see if we understand. You are pretending to rebel so that you can be sent to a Society unlike yours…so that you can rebel by conforming to your societal rules?”

“Let’s say that’s true.”

“You have nothing to gain. You will be ostracized in a new Society, if not persecuted in worse ways. Do you seek pain? Your files show no signs of masochism.”

“This is what I want. Is there any reason to refuse me?” She was beginning to get angry with this endless questioning.

“You are too innocent. The matrix of your Society revolves around kindness, vague religiosity, and mutual reinforcement of good feelings. The Society you are requesting is motivated by lust, greed, envy, and violence. They will destroy you.”

“Let them destroy me. Just send me. I can’t stay here. I…I just can’t. What I want to do I can’t do here. I can’t do it here.”

They were going to ask what it was she couldn’t do, and she was trying to invent an answer they would accept, when the female judge made a strange sound of realization.

“She is a fanatic.” The other two judges looked from the female to Delilah. “She actually believes.”

The tribunal nodded in understanding.

“Well played, girl. Most times, the wanna-be missionaries come in guns blazing, threaten us with divine retribution or righteous anger, and we have to refuse the transfer, just as we are now going to refuse yours.” The tribunal smiled smugly. “It’s best if we keep you here. In another Society, your sudden desire to really do what your religion teaches might truly blossom, and nothing destroys the balance we’ve created like a fanatic invested in her version of reality. No, here, with all the others who go through the cultural motions of church, you’ll be just fine. And this brief—and to you, intense, no doubt—desire to, shall I say, ‘be all things to all people,’ will fade away.

“Trust me, a few more years, and you’ll slide right in, comfortable and satisfied.”

Spotlight – Local Man Struck By Lightning Survives

0

At the center of Vienna, USA is probably the best story of the collection, “Local Man Struck By Lightning Survives.” A product of an unwritten story about clouds and my stint as a reporter during the Auburn-Cord-Duesenberg Festival, it portrays a remarkable incident in the life of Richard Higgins, reporter. Higgins views mankind as utterly depraved and sinful yet finds himself fascinated with a young woman of incredible innocence and joy.

Again, the problem of evil and pain enter the story, rather forceful this time.

Here’s a bit from the intro:

He took a job as a reporter for The Vienna Clipper, writing twelve inches on old women making quilts and old men doing one more year what they had done every day of their lives, writing thirty inches on men found dead in their bathtubs and women found in other men’s beds. Not a printed letter of news escaped the outskirts of Vienna, but reams of bleeding black print rushed into the office, and he sorted through it, grappling with the mundane masquerade of human endeavors, reading and reporting, outfitted in black shoes and black hat, writing, gallons of ink issuing from his pen, and from his pen to his typewriter, and from his typewriter to the ceaseless presses, expelling the vast sum of human activities in ten pages daily, and while the pictures of the times turned to color, Higgins produced in black and white.

But of the thousands of bylines he amassed, of the miles of newsprint that marked the metronomic meter of his daily existence, of the news stories he authored, of the columns and interviews attributed to his name, the people of Vienna took no special notice except for one, and one in which his name appeared not in the byline, as a god dictating his creation, but as a player in the story itself. And the headline read:

Local Man Struck by Lightning Survives

You can find the collection here (ebook) and here (PDF).

Spotlight – “The Love Letter”

0

“The Love Letter,” the second story in Vienna, USA, is a strange story. Without revealing too much, it’s about Mark Parrish, who doesn’t want at all, and so he drags a young lady into his experiment to determine why people willingly suffer because of their desires.

Of all the stories in Vienna, USA, this is the one I probably come back to most often. “Local Man Struck By Lightning” is probably the better, more literary story, but I find something fascinating and pertinent in “The Love Letter.”

Here’s a bit from the second page:

The first entry in this journal, written with great effort over a period of three hours, with a break for dinner, culminated as follows, the original words written in precise, formal block letters:

 

St. Paul writes, “I have learned the secret of being content in every circumstance.” I did not know there was a secret. I have always been content. I desire nothing. As proof of my assertion, I will record several past incidents.

When I was in fourth grade, we played kickball at recess. My friends took the game seriously. Once, we lost when Peter, the captain of my team, dropped a ball he should have caught. He was red in the face from anger as we lined up to go inside. He called himself “Stupid.” I told him he shouldn’t bother himself – it was only a game. “Don’t you want to win?” he asked. I told him I liked to win because my teammates liked to win, but that I did not care whether we won or lost.

When I was in high school, my house burned in a fire. My classmates wanted to comfort me. They brought gifts to replace the items I had lost. A teacher asked if I was okay. I told her yes. She didn’t believe me, so I told her that I had only lost stuff. It didn’t matter.

When I was twenty-two, my mother tried to set me up on a date. I didn’t go. She asked if I wasn’t lonely. I said I liked company, but I liked solitude as well; if she would like, I would go on a date, for her sake.

 

 That was all he wrote. He reread it several times. He corrected classmates; he had spelled it as two words. After some consideration, he added a final sentence: I have never wanted anything that I could not easily go without. 

As always, you can purchase the ebook or the PDF. (Sorry, Kindle version still forthcoming.)

Spotlight – “Transitions”

0

This month I’m highlighting Vienna, USA, a collection of five short stories set in the fictional Midwest town of Vienna. The first story of the collection is “Transitions,” and like most of the stories in this collection, it’s based on real life.

My dad was presented with the opportunity to take over the family business, and his decision was due after his trip overseas. This is the idea that sparked this story. Here, Mitch is returning home after a roadtrip (also inspired by my dad’s epic roadtrip back in the day).

The opening paragraph:

Mitch had long grown accustomed to the rhythm of orange lights over the dash of the van, and in the days to come, when the road was not so long or so lonely, the sounds of Meatloaf and Led Zepplin and the Rolling Stones would still echo in his mind. But this road was ending, and Greg was asleep in the passenger seat, so Mitch exchanged the classic rock station for a cassette tape of “American Pie,” which Greg hated. The van was old, with too many miles before they had rolled the odometer 10,000 more. Plus, tapes were cheaper than CDs.

“Transitions” is set in 1997, so tapes were a little more common than today.

When I wrote “Transitions,” its purpose was to be the first in a series of stories written by other writers. (One of my college projects.) You’ll notice I do a lot of “worldbuilding” in this story.

I remember struggling with the ending because this was one of the first stories in which I used an understated conflict. I was teaching myself how to do new things.

There’s a fabulously awesome postcard in the story that’s copied verbatim from one my dad wrote. But you’ll have to purchase the collection to read it. (Tricky me.)

Available at Smashwords and as a PDF currently.

Flashback – My Speech to the 8th Grade Graduating Class

0

Okay, this requires a bit of explanation.

I’ve been looking through lots of old files and stories. It’s been encouraging to see what I’ve written in the past, especially since I’ve been in bit of a dry spell. (Or, at least, I feel like I haven’t gotten done what I would like to have got done.) Here’s what I (re)discovered:

When you write, you reveal who you are and what you believe. One story won’t reveal it, but as you collect more and more pieces, what you really are will come through, one way or another.

So, when I discovered this speech I wrote for the 8th grade graduation of some students I taught, I was pleased. It was like I was reminding myself what I believe. And, really, I might write much the same thing today. In fact, I had a similar thought on Facebook just a few weeks ago.

For me, writing really is trying again and again to communicate those few truths that motivate me–or, rather, communicate the part of the Truth that I am most able to understand.

Here’s a copy of the text, typos and all, if any are interested.

~~~

[INTRODUCTORY COMMENTS]

I’m honored to be up here tonight. I don’t often do much public speaking, so if I look too much at my paper and not out into the audience, it’s not because I don’t like you. To use my classic excuse, I’m a writer, not a speaker. I’ve always liked when Moses complained to God that he was unable to speak. But, appropriately enough, he’s credited with writing the first five books of the Bible. So I’ll take that.

I’ve been lucky enough to have the graduating class for two years. I knew them when they were a baby class of three students last spring. Look how they’ve grown. In the two years I’ve taught them, I’ve made them put up with writing essays, poems, stories, plays, more essays, and even listening to Beethoven and watching old science fiction episodes. Now they only have one more thing to put up with—this speech.

Students love to start their essays with a question, so I’ll start my speech with one.

Why do I need to know this? Parents, you’ve heard this, haven’t you? I know every teacher has. Why do I need to know this? The question comes in various forms. How is algebra going to help me in life? If we don’t use the cotton gin anymore, why do I care who invented it? Shakespeare’s dumb, why do we have to read him? He doesn’t make sense. Who cares what makes mammals different than reptiles–just as long as they taste good medium rare?

And, of course, since these are common questions, teachers have invented many clever responses. For instance, there’s the ever popular: “Because it’s on the test.” This works for some of you. There’s also the slightly snarky: “You never know when you might be a contestant on Jeopardy,” to which the students will roll his or her eyes. Then there’s the drawn out explanation, one of my favorites, as my class can probably attest: “Well, you see the cotton gin was a landmark invention that revolutionized the economy of the South. It made cotton cheap to produce, and if it’s cheap to produce, you want cheap labor. And where to you think this cheap labor came from….” And somehow, in the next twenty minutes, you end up talking about your favorite Legos as a child, the consequences of the French Revolution, why you don’t eat pickles, and violence in video games.

But the absolute best answer when a student ask, “Why do we need to know this is very simple.” You simply say, “Because I said so.”

So, eighth graders, you’re here, so you must have listened to us, at least a little. You’ve successfully memorized and compartmentalized all those little facts and figures we kept hounding you about. And, I am fully confident, all of you are up to the challenge of successfully forgetting it all by tomorrow morning. Let me tell you a secret: I remember a little bonfire, and a binder full of papers I’d been saving all year. You can imagine what friends the two became.

But despite my jokes, I know you won’t forget everything. You might forget the difference between xylem and phloem, but you’ll remember friendships and field trips. You might forget what year Jefferson bought the Louisiana Purchase, but you’ll remember the teachers who took an interest in your life or pushed you a little harder than you liked. Maybe there were some papers you “forgot” to turn in, but I believe you will remember the days you spent here at St. John. Because St. John is not just about facts and figures. It is about a person named Jesus Christ, and if you forget everything else during the summer, I hope you won’t forget him.

Let’s return to our original question: “Why do I need to know this?” I don’t think you ask this very often in religion class, because you know why it’s important. If I asked you to write a paper about “Why do we need to know this?”, I would get topic sentences like, “Because God loves me,” “Because Jesus died for my sins,” “Because he’ll take me to heaven.” These are great reasons, and if you used proper five-paragraph format and made sure to be specific, you would have gotten a good grade. But let me tell you another secret. When you ask, “Why do I need to know this?” about anything, there is another answer I’d like to give you, and it is this: Everything worth learning is worth learning because it teaches you about God.

This applies to everything. Why do I need to know math? Because God made the earth orderly. Why do I need to know science? Because God put man in charge of the earth to take care of it. Why do I need to know history? Because God is guiding and working through the events of human history. Why do I need to study literature? Because God communicates through the written language, going so far as to call his Son the Word. And finally, because I’m the writing teacher and this is my speech, why do I need to learn to write essays?

I’ve told you, of course, that you need it for high school, which is true. I’ve also told you, “Because I said so,” which was also true. But the real reason I taught you to write, the reason I drain my red pen dry, is because I want to teach you to think.

Eighth graders, you have more information at your fingertips than any generation before you. I had volumes and volumes of outdated encyclopedias when I was in school. You have Google and Wikipedia. I had five channels on TV. At last count, I think you had approximately ten billion. I remember 5 and a half inch floppy disks; you fill up more gigabytes in a week than I had megabytes on my computer. My cell phone was the size of a football; yours are the size of those little paper footballs. I remember waiting all summer for one movie—Jurassic Park. Now there’s a blockbuster every three days. The outcome of all this is that you are bombarded with images and music and stories and news and opinions every day, non-stop. It is so very easy to be distracted in a world like that. I know. It is so easy to be entertained without being alert. It is so easy to let the world wash over you. But the truth is, most of what you will hear and see in the world are lies, and you need to be able to determine what is right in a world that says that everything is right.

Because the Bible does not say in so many words, “Thou shalt not put flirtatious pictures on Myspace” or “Though shalt not text friends during math class.” There isn’t a chapter in Romans that talks about how many energy drinks are too many or an exhortation in Hebrews detailing the five stages of dating in high school. You don’t get a step-by-step manual on how to love those who cut or purge; you don’t get a voice from heaven telling you exactly what to do in every situation—but you do have Jesus Christ at your side. You do have, as Paul says in First Corinthians, access to the mind of Christ, what he’s thinking, what he desires.

That is why the foundation you received here at St. John is so important—and why it is so important to engage life—to engage the math and science and history and literature and PE of life—and not to let life simply lead you as it will. I want you to live life, to soak up every experience, to invest in every friendship, to consider every sorrow and joy, and to bring Jesus Christ to it all. A live with eyes wide open, fully engaged, with Jesus Christ at your side and the Holy Spirit guiding you, I’m telling you, it’s the only way worth living. It’s the life I know you are all capable of having.

Okay, I’m done with my challenge now. We teachers want to keep teaching even when school’s over. But it’s only because we know that you are great men and women, that you are kings and queens ready to inherit the world. God gave Adam and Eve the right to rule over everything on earth—and now it’s your turn. It’s a great responsibility, but with God’s help, you are able to do it. It is your time to start changing the world. Everything is yours in Christ Jesus. We have equipped you as best as we were able. God will do the rest. It will sad to see you go. I’ll miss you. But God has great things planned for you.

I started teaching five years ago. That class graduated high school on Sunday. As a student might say, why do I need to know this? Because I can only imagine how much learning and loving and growing will take place in those years. That is what we prepared you for, after all, a life where you can stand firm on the foundation of Jesus Christ and embrace the world.

God bless you all. I’m excited for you.

Spotlight – Vienna, USA

0

In the near future, I hope to start releasing more of my short stories and novellas, but I thought it would be worth highlighting some of my work that’s already available.

Vienna, USA is a collection of 5 short stories set in the fictional Midwest town of Vienna. Vienna was “invented” as part of a multi-author project called Cobblestones that I ran in college and based largely on my own hometown. The idea was to have a series of short stories where a minor character in the first became the main character in the next, and so on. I have removed my contributions and placed them in one volume.

I don’t write much contemporary fiction, but when I do, it tends to get set in Vienna.  More often than not, I tend to wrestle with religious ideas with my Vienna characters. Actually, “Old Man,” “The Love Letter,” and “Local Man Struck By Lightning” all examine the problem of pain and suffering from different angles. (Must be a theme with me.)

I’d love to have more people read these stories. “Local Man Struck By Lightning” and “The Love Letter,” in particular, are stories my mind keeps returning to as I make my way through life.

Throughout December, I’ll be highlighting individual stories to give you a taste of what to expect if you purchase the collection.

Currently, Vienna, USA is only available as an ebook on Smashwords. I’ll make it available as a PDF and for the Kindle in the next weeks. (Print copies? Perhaps. If you ask nicely.)

UPDATE: PDF is here.