What is The Eternal Night Saga? (Part 1)

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I’m going to spend a few blogs explaining my next big project. It’ll take a bit of time because I’m picking up a project I started long, long ago, before I was 30, before I was married, even before I started college.

And that project is The Adventures of Strin and Fred.

It was my first love as a writer, the first long work I really enjoyed writing, the first story I wrote more than 100,000 words on. On the surface, it’s a simple enough plot — Strin, a local hero, and his apprentice, Fred, defend their village from a horde of mindless, ravenous monsters. That summary doesn’t take into account the dozens of characters running around, doing their own thing. It doesn’t take into account the various themes and giant monologues. It doesn’t take into account how freakin’ awesome of a character Fred is to write. Etc.

The Adventures of Strin and Fred is a story in four books. Two and a half have been written. Two have been published, the first back in 2004. That one is out of print.

After writing and publishing the first two books, I pushed the project to the back burner. I don’t remember all the reasons. Mainly, I had a lot of other half-finished projects I wanted to tackle. I’ve gotten those out of the way. I’m finally at a point where I don’t only think I should finish the work, I think I want to.

And so I’ve begun to make my way back into the heads of Strin and Fred and Webi and Celina and the Empress and all those other half-fantastical, half-philosophical characters.

Perhaps you’ve notice that the title of this post doesn’t connect to its content. The problem with calling the series The Adventures of Strin and Fred is that it’s bigger than the two of them. It’s like calling the original Star Wars trilogy, The Quest of Luke Skywalker. It’s just not quite accurate, even if it is mostly true. I started calling the series The Adventures of Strin and Fred back when I had no idea what was going to happen. (More on that in another post).

So, my current working title is The Eternal Night saga. It may change. I’ll probably still refer to it as Strin and Fred.

Anyway, I’ve done my flash fiction bit on this website. I serialized A Girl Called Snort on my previous iteration of this website. Now it’s time to return to the beginning.

(Post #2 coming soon – How It All Began. Followed by Post #3 – What Now?)

So, is The Eternal Night Saga a lame name or what?

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Serenity Anne Hayden

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Hello, dear readers! I don’t often post much personal on this site. I tend to be a hermit. But I figure this is more important than the usual, “Such-and-such a movie is going to be awesome!” or “I just finished eating at Taco Bell.” On October 28, 2011, my wife Natasha and I welcomed our second child, a daughter, into the world — Serenity Anne Hayden.

I love this picture of her. It makes me laugh every time. My father-in-law thinks she resembles Churchill.

So, if posts come slowly, just look up at that picture. That’s why. She’s making me laugh. Or change her diaper. Or save her from her 2-year-old brother. You know how it is.

Coming soon….

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The Day After published

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About six months ago, I began a project with some of my writing friends. Now, it’s complete.

It’s a collection of short stories, each inspired by the idea of “The Day After.” Here’s the official back cover copy:

Natalya is an American mom and wife with a Russian name working as a spy for the Brazilian government in a Midwest American town. Balancing dual identities is dangerous–and sometimes comical–especially when her husband hasn’t a clue.

Morana is on a suicide mission to transmit a bestial virus to her enemies when she encounters a smalltown family with the potential to break through her boundaries of hatred. But in the end, will it make a difference, or is it too late for redemption?

Peter, a photojournalist, returns home late to meet his newborn son…but just in time to rescue his family from a national zombie infestation. As they travel toward safer ground, trying to maintain a modicum of normalcy, Peter has the urge to document the disaster, but at what price?

Jacob is trapped in an endless maze of a house that appears to have no exits to the outside world except for a noose in his bedroom. He meets a mysterious stranger in the darkness and discovers pieces of letters he doesn’t remember writing. Who knows how long he’s been there? The noose is tightening.

Four stories, four writers, four genres…one connecting thread. What happens when the main focus of your life is stripped away and all that’s left is the day after?

It’s available as an ebook at Smashwords.com and as a print  book at Lulu.com. Check it out!

I’m Not Dead Yet!

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I’ve started on Book 3 of Strin and Fred….

More updates to come.

Revenge of the Layout Editor

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In high school I was drafted to be on the layout crew of the newspaper. Then, in college, I was drafted again, this time for layout editor. I really enjoyed the work, but I never guessed how much the experience would pay off.

I am in the process of laying out two books with a wonderful(ly free) desktop publishing program I discovered.  The first is Another World, a print collection of the 50 flash fictions I’ve posted on this website. The profits will go toward the 7th-8th grade DC trip for the students I teach. The second is The Day After, a collection of short stories by four authors, myself included. More details to come.

I’m not doing much writing at the moment, but there’s a lot going on behind the scenes. Look for a publication announcement within the next month!

News Update – Projects, Projects, Projects

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I’ve been considering what I’d like to write next. I’ve hit my goal of 50 flash fictions, and while I enjoy writing them, I’m getting the itch to tackle a longer project again. The short works were a nice and much-needed break from finishing A Girl Called Snort, The Squire, and Buckethead last year.

I’ve got a few things to “tidy up” before I embark on a new project though. I don’t do much in the way of Project Updates here. (I do on my podcast, though.) Here’s a brief rundown of things I’m in the middle of:

  • Revising Buckethead for some sort of publication
  • Revising my 50 flash fictions for print, most likely as part of a fundraising project at the school I teach at.
  • Editing/layout for The Day After, a genre-spanning collection of short stories to which I contributed.

These will take some time, but none of them involved creation. I need to tidy them up and get them out of the way. After that….

Well, here’s the current plan. Once upon a time, like 6-7 years ago, I finished my first novel, Trouble on the Horizon. It’s a fantasy adventure with lots of entertaining characters, the most important of which is Strin Telnok, local hero, and his stubborn, hot-headed apprentice Fred. Sometime after that, I finished its sequel, The Remnant of Dreams. Then I abandoned the series to complete other works. The last few years, I’ve completed many of those works, in one form or another. It’s time I get back to Strin and Fred. They’ve been left hanging long enough. (Far too long, a few of my early fans insist.)

My wife pointed out that I write best when I can serialize, even if it’s only to a limited number of readers. So that’s the plan. I’m going to start work again on Book 3, as intimidating as it is after all these years and as much as I’ve changed as a writer. I’ll publish it chapter by chapter at a reasonable pace. I will make Book 1 available in some format for those who want to catch up. I’ll have to do some finagling with Book 2, since I don’t own the rights to it currently, but I could if the demand makes it worth my while.

It’ll be a few weeks before I get started. (And, looking at August, it might take longer than I expect.) I hope you’ll jump onboard as I try to finish this series that started my writing career.

In anticipation of Strin and Fred Book 3, would you...

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Your Call is Important to Us

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Thank you for calling the Despair Help Line. Please listen carefully because our menu options have changed. Press or say 1 if you are uncertain whether what you are feeling is truly despair or only the results of a series of unfortunate events. Otherwise, press or say 2.

Thank you. You have selected “Truly Desperate.” Next, please describe your despair. Be as specific as possible. For example, you might say, “I can’t stop crying” or “I feel dead inside” or “I wish I had never been born.”

Thank you. You said your heart has been ripped out, torn up, covered in A-1 sauce and devoured. Is this correct? If so, say “Yes.” If this is incorrect, say “No.”

Thank you. Now that we know the depth of your despair, we require some personal information. Do you believe in God?

Thank you. You’ve indicated that you don’t believe in God. We will direct you to the appropriate department. Please wait as we transfer you to the next available representative.

Music: Thus Spake Zarathustra

Don’t worry, be happy. The One Life to Live Foundation encourages you not to let anyone or anything stop you from living your dream. Do what you want. Live without restraint. And if something bad happens, don’t fret. Everything happens for a reason. Trust us.

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We apologize for the delay. The next available representative will be with you shortly.

Music: Tristan und Isolde – Prelude

As you hold, please remember that your despair is rooted in an imbalance of brain chemicals and numerous digestive problems. We recommend prescription medicine or, possibly, self-medication.

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All our representatives are currently busy. Your call is important to us. Please remain on the line.

Music: Lux Aeterna

Life is short, dark, hard, and painful. And then you die. This message brought to you by the Camus Council for Truth.

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We are sorry to inform you that there are no representatives waiting to take your call. Please hang up and try again. You may wish to scream or curse to the receiver to feel better. If you wish to rethink your belief in God, press 1 or say, “Help me.”

Playing God

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“This is an exciting day, Miss Fitzgerald. Your vision will open hundreds of opportunities for us to help others like your father.”

Marisa Fitzgerald smiled tightly, her lined face stretched taut. At sixty, she was the oldest of billionaire Henry Fitzgerald’s three children. A tiny, slim woman, she had never married. Her face was a mask of self-sufficiency that turned men away, a mask perfected in youth. The smile she gave the scientist was a product of age. Only recently had she begun to allow the expression of emotions. She wore them like ill-fitted clothes, or as a child first wears a suit and tie.

“I want the best for my father. He was not always a kind man, but he was a fair man. He deserves comfort during his last days.”

Men unloaded a short, humanoid robot from the van. Child-sized so that adults would more easily accept it, the robot could walk and traverse stairs, and it obeyed commands like a sophisticated alarm clock or an imbecile servant. This was the first commercial unit, designed to help shut-ins and the handicapped.

Marisa looked steadily at Dr. Zimmers. After a moment, she said: “My brothers are in the house. There may be a scene.”

“I understand.” Dr. Zimmers activated the robot. “Ready, Miss Fitzgerald?”

She led him to the door, and the little robot followed like a dog. In the foyer waited Arthur Fitzgerald. His wild beard gave him a savage look as he sat on the third step of the main staircase. He jumped to his feet at the sight of the robot. If one met Arthur in the mountains, one might think him a man of power, but among the china and delicate artistry of the mansion’s interior, he looked powerfully mad.

“I will not allow that work of devilry in this house!”

“Arthur,” the scientist said soothingly. “What has the devil to do with this piece of machinery?”

“It’s the old sin of mankind,” Arthur replied, eyes flaming. “Eat the fruit and you will be like God. He made us in his image, and we make machines in ours. What blasphemy is next? When will our pride destroy us?”

The argument wasn’t just old; it was cliché. Dr. Zimmers explained in calm, rational words that the robot was no more than a set of programs. It contained no artificial personality, no moral decision mechanism, no ability to adapt. It was no more than voice recognition, preprogrammed commands, and complex movement simulations. This last was the great leap of science: man had walked on the moon before machine had walked on earth. Humanity took for granted the miracle of upright motion — controlled falling. Billions of dollars and tens of thousands of hours had replicated it. That was science’s triumph: to take one step. The rest was mad fantasy and science fiction.

Arthur did not hear his words. Science was blasphemy; it lifted man higher and higher. The robot was a demon of Babel, a Nephilim born of the intermarriage of men and evil spirits. “Pride!” screamed Arthur. “You men of intellect, humble yourselves! The wrath of God is not long in coming. He will not spare the stubborn-hearted. Stop leading men astray and turn to your Maker.”

“Arthur,” Marisa said sternly. “Father has given me authority to act during his illness. I do not want to call the police, but I will.”

“Call them!” he cried. “They can do nothing to me. I am only dispatching the task entrusted me. Why do you always try to play God? Be men. Accept your lowly place. God is in his heaven, we are on earth, so let your words — and your works, Dr. Zimmers — be few.”

Marisa did call the police, and after they dragged Arthur away, she and Dr. Zimmers continued down the hall to the room where Henry Fitzgerald lay. James, the youngest of the three, looked at them as they entered. He spoon-fed his father, who stared dumbly at him, chewing with the absent pleasure of senility.

“Arthur always believed the worst of everything,” James said softly. He didn’t take his eyes from his father. “Marisa, I’m sorry it took me so long to return. It’s never easy, between customs and the travel arrangements.”

“You know about the robot, James?”

“Yes.”

“Will you stop us?”

“You can bring the robot, but it must remain in the corner.”

“It’s only a machine,” Dr. Zimmers began again. “It is only an advancement of science. We wish to make the world better. Thousands of elderly men and women, like your father, cannot tend themselves. Our robot can help. It is an humanitarian advance.”

“Arthur had it wrong. We must not keep our lowly place. Put the robot in the corner.”

“James, it’s supposed to interact with father. Dad needs to get used to it.”

James looked at Marisa with a fierce, stubborn expression. Marisa, in her ignorance, thought it similar to the heat of physical passion in a husband’s eye.

“James…”

“Mary, you can tell me to leave. You have the right. I can’t stop you. You can use that tool in my place. But let me serve my father. Arthur had it wrong—we have no pride. If I see a man starving, do I give him a spade and say, ‘Go, dig and plant!’ or do I give him food? Nowadays, it is proper to give him a spade and go about my business. You know what I do overseas, Mary. My God washed my feet. If that’s worthy of him, I dare not forfeit such an opportunity. Pride? I am very near God at this moment, wiping dribble from my father’s chin. What purpose does this robot have but to tempt us to turn away from one another?”

Four months later, the billionaire left the room and was buried in the earth. That marvel of mechanics stood still in the corner, covered in cobwebs.

The Beholder

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As the rest of the audience stood, stretching and gossiping during the final intermission, Clara remained seated, her mind fixated on the upcoming results. She had watched the Pageant on TV as long as she could remember. Being here in person, among the elegant, almost gaudy, spectators was exhilarating, like stepping off a plane in a foreign land. She saw how they glanced at her, how they whispered to a neighbor as she passed. It gave her a heady, effusive feeling, which only increased the number of those who noticed her. Even when she didn’t smile, her face betrayed her with a sheen of joy. They knew she would be on the stage someday.

She could hardly picture it, though. She had gone backstage at the first intermission, had stared at their luminous faces, inhaled their fragrance, admired their envious forms. Could she attain such perfection?

Clara had only begun the rigorous training in the last year. The discipline of beauty was relentless and holistic. Even with years of patience and perseverance, all that really mattered was a single moment—and for the contestants, that moment was now.

The lights blinked, and people began to take their seats. Clara had chosen her pick: Esuna, a tall, lithe, dark-skinned young woman, a little older than average, with a calm expression and reservoirs of mystery. The Consensus had been moving away from the voluptuous curves and brazen personalities of a decade before. Clara thought this year, it would make a definite leap the other direction.

The lights dimmed. The spotlights lit the stage as music swelled. The MC sauntered onto stage, his smile magnified on the giant screens. Clara was impatient for him to get on with it and hardly heard his spiel until he uttered words that sent shivers down her spine: “Tonight, we do not simply recognize a beautiful woman. We capture and lift up Beauty in her full bloom, plucked in that split second where to look upon it is to believe.”

Expectant chords thrummed beneath the crowd’s muted hum. The three finalists came forward as called. Siobhan, a vivacious redhead; Sandra, a woman part feast and part famine; and Esuna. Clara released a held breath at her name. She felt almost as if she herself had been chosen.

Then silence. Not even a drumroll. Simple words—”Beauty, thy name is…” Clara willed the name, her lips moving. “Esuna.”

Thunderous applause. Clara couldn’t leap to her feet quickly enough. On the screens, Esuna’s face beamed, her eyes filled with tears. And yet, her expressson still held that ineffable mystery that had first convinced Clara that Esuna would capture the world’s heart.

“Now,” Clara whispered. Esuna was radiant, ethereal, divine. “Now.”

The MC did it smoothly, inserting the needle and pressing down the plunger. To all it already held, Esuna’s expression acquired a hint of tragedy. Clara thought her heart would break from the beauty of it.

“That is what I want,” Clara said. She repeated it louder, knowing no one would hear it above the crowd’s roar. “That’s what I want!”

The injection had done its work. Esuna’s muscles seized up in their moment of glory. Her exquisite expression remain unchanged. Her heart stopped, her beauty reserved unblemished for all generations, to be added to those who had come before, a record of the Beauty of Mankind.