Dizzy

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Round and round I spun. Anne clung to me, laughing, her face pressed against my chest. I sped up. Her giggles bubbled up, and her tiny hands clenched my shirt. The room blurred. I stumbled about in a larger circle, nearly losing my balance. I gyroed my way to the couch and dropped her onto it, from just enough height to give her a rush.

She was upright in a moment, her head still bobbling, her toothy grin wide and inexhaustible. “Dizzy again.” She raised her arms. “Again!” If I had placed her on the floor, she would have been unable to stand.

“Just a second. Daddy needs to rest.” After fifteen minutes of dancing and spinning, I didn’t know if I could stand.

I looked at the clock. It marched toward the dread hour–bedtime. I found my footing with effort. “One more, then night-night.”

“Mm-mmm,” she purred as she extended her arms up and up, reaching out for me. I lifted her. She was light and fit perfectly in my arms and across my chest, snuggled there in giddy anticipation.

“Ready?”

I felt her body tighten, and I heard her soft, sweet voice: “Ready.”

I started slow, like every amusement park ride, establishing my footing, winding up the gears. Then I accelerated, enjoying her squeal of delight. I closed my eyes to relish the force pulling her away from me, her effort to stay close. I loosened my grip just enough for her laughter to gain an edge of panic, then pulled her back in. I allowed the sensation of spinning, spinning, to overwhelm my senses, and soon I began to stagger unsteadily, as if the world were twisting at a different pace than my feet.

I slowed, then, eyes still closed, my daughter still near me. I opened my eyes.

It was dark. I sensed dim lights around the edge of the room, people in the nearby shadows. Anne was still in my arms, but she had drawn away, somehow. My hands were on her waist.

When I finally looked at her, she smiled. The smile hadn’t changed. It still shone with unfettered joy. There was still that gap between the front teeth. But she was in white, and we spun, slowly, in gentle revolutions. I could not take my eyes off her face, and she could not stop smiling.

“Do you remember how you used to spin me?” she asked.

“I started when you were just a baby, as early as your mom would let me.”

“I held on so tight.” There was something I had never seen in her smile now, something mature and exquisite. “I never wanted to stop.”

The music rose in waves. She looked away for a moment, crystal light in her eye. I hardly knew what I was saying. “One last time, huh?”

She laughed, that short, sweet giggle that seemed to burst out like a surprise every time. “Dizzy again, Dad? Again?”

I blinked and blinked, unable to see clearly. “Of course.”

We spun like wind ornaments in a stately wind, like helicopter seeds falling to the ground in the delicious chill of autumn, like the hands of a clock reaching the dread hour. I heard the last strains of music approach. I closed my eyes against it. They faded into silence. I started to let go.

“Again, daddy, again!”

There she was, not even two, looking up with round eyes from where I had dropped her on the couch. “I like it,” she said, wavering unsteadily. “Again.”

I lifted her up, the church bell four blocks away ringing out seven — bedtime. “Here we go,” I said.

I spun her as fast as I could, and I held her tight.

 

Don’t Publish This!

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A glimpse into one reason you don’t see many blogs from me–beside time issues. Not surprisingly, I wrote this a while ago and have been sitting on it for just the right moment…which isn’t coming anytime soon.

~~~

I have trouble pressing the “publish” button.

I’m used to writing stories, letting them sit, revising them, letting them sit, revising them, and finally giving up on them. Then, after a bit, I read through them once more, at a distance from what gave them birth, tweak this and that, and finally making them available in one form or another.

But the blog–the blog is a bit impromptu. It’s personal. It comes, you write it quick, you double-check it, and then you–publish?

No, you begin to doubt.

Did I say anything really worthwhile?

Does it make sense?

Is it even true?

This is especially applicable when I speak of anything to do with Jesus and Christianity, because I want to be right.

Actually, that’s the real problem in most cases. I want to be right. (And clever, if I can manage it, but mostly right.)

Because, once you post something, other people read it. They have opinions. (How dare they!) You live another day and learn things you didn’t know before, see issues from a new light.

Stories are universal in a way. They can say things you hadn’t quite known. But a blog is direct, to the point. A moment in a continuum.

So, press “publish”?

Maybe. I guess so.

Why not?

(Don’t answer that.)

 

 

 

Reclusive Writer to Show Up at Allen County Public Library

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Poster & flyer for public to attend.

My slow-but-mostly-steady attempt at publicizing The Unremarkable Squire continues on November 9, 12:00-4:00pm, at the Allen County Public Library. Along with other authors, I’ll be present to discuss my book, sign & sell copies, and attempt to appear knowledgeable about all things writing related.

I’ll be sharing a table with friend and fellow author Nathan Marchand. We’ll have some of our other, not-The-Unremarkable-Squire books available, such as The Day After and Nathan’s military science fiction novel Pandora’s Box.

So, if you’re in the Fort Wayne area and haven’t had a chance to pick up a copy of what people are calling “the greatest witty fantasy novel about a guy named Obed Kainos written by an author named Nick Hayden,” then  Nov. 9th is your chance.

Or, if for some reason, you just want to come by and say hi, that’ll work too.

 

 

The Deadliest Sword

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NOTE: This story was written in high school and dug up from the archives after this article. It’s posted as-is, except for a few typos I couldn’t help but correct. Enjoy!

~~~

Uh… Welcome ladies and gentlemen… Whoa! Way too formal.

I cleared my throat.

Have I got a story for you! Mmm, not too bad. Wait, I got it, I’ll just… what in the blazes! It’s been recording the whole, no. I didn’t want that, not yet. I was just… I slapped my hand on the table in anger, somehow managing to jam my finger.

I looked up, as if to see someone. Oh, ya. Well, hi there. I kinda got started on the wrong foot. As you can probably tell, I’m this story’s FPN, first person narrator. Not a very good one I suppose. At least not yet. Well, don’t blame me, this is my first time actually narrating. I’m new at this. Learning to do it in class, it seems easy, but actually doing it is really more difficult than you might expect.

You know, no one ever realizes how tough it is to be a FPN. Think about it. Do you realize that we have to talk to ourselves, in an empty room, as if you were right there hanging on our every word. I could be rotting in my grave by the time you read this. Strange isn’t it. You’re not even there right now. Hello! Hello! Well, I know you’re there, just not right now. Well, that is unless this story is so bad no one reads it. Which it might be. I’ve read the little plot I was given to work with, and I must say it’s a sleeper and dreadfully predictable at that.

Holy Cauldfield!!!! The story! I haven’t started it yet. Whoa, look at that triple exclamation. I didn’t know I could do that. Just a second, I want to try something.

AAAAAAAAAAHHHHHHHHHHHHH!!!!!!

Cool! My scream’s in capitals. It just goes to show this contraption is worth something after all. You should see this thing. I have to wear this huge punchbowl-shaped helmet which required me to shave my head so that the circuits would all hook up right. I really don’t see why I need it when I could just record everything I’m thinking, but I suppose it’s not as natural then. Plus, my screams wouldn’t do that capital thing. AAARRRGGGHH!!!! Oh, I love that.

The punchbowl really is worth the pain though. The wages are generous and I get free health and dental care along with paid vacations. It really is a good life when you think about it. All I have to do is wear this monstrosity. Well, that and I have to go through some rather rigorous mind-training courses. But I’d rather not talk about that. I’m not doing all that well in those classes.

But this first “training” assignment sure is a doozy. I picked this Hayden guy’s story because it had “Sword” in the title. Never pick a story by its title. I mean, how was I supposed to know the sword was some sort of underlying symbolism-metaphor thingy? I sighed and laid my head in my hands. I guess that’s what the synopses were attached for.

Listen, here’s a brief summary. I’m supposed to be some innocent bystander who goes on and on and on about this awful and heartbreaking thing this one guy did. I won’t say anymore because it really is awful depressing. Anyway, how am I supposed to go on and on and on when Hayden barely gave me the bare outlines of a plot, and then expect me to give it personality. Obviously he doesn’t have any himself. He’s just some two-cent writer anyways. How far downhill we have come since good old Huck.

You know, Mark Twain and Huck Finn, well Huck’s FPN, they’re kinda like patron saints around here. Just those two got the whole industry started over here in the States. And Twain knew what he was doing. Sir “Huckleberry” Gregorheimer, as we fondly call him, collaborated hours with Twain to get the story done. They have their share of legends. I should know. I took a Gregorheimer: The Myth and the Man as an elective. Mrs. Middleberry sure did know how to beat all the fun out of a class.

Sir Gregorheimer really was a genius FPN, though. I mean, the description, the powerful statements, the dialects! You’d never know Huck was the German Sir Gregorheimer. Aye ‘ope aye ca’ been haf wha’ he wa’. That was awful!! Please stop laughing. I know you are. I don’t even know what dialect I was trying to do. I’ll have to practice; maybe even take one of those electives. I shuddered at the thought.

You know the description of my actions doesn’t really flow. My mind isn’t very controlled it seems, as teachers seem to love to point out. Well, let’s see if I can manage to invent some actions. Okay, here’s a short, little trial story.

Darkness surrounded me. Owls hooted eerily in the trees as I tried to run without tripping over stray roots. My breath came in quick pants and my nerves were on edge. My stomach growled because it was past lunch. That screeching scream that had so haunted me in my dreams seemed to be closer now. I tried to run faster but my legs felt like weights. I came to an opening suddenly and the clouds moved to reveal the moon. A moon as full as…as…as a big tall glass of hot cocoa with those little marshmallows and – but the scream came once more. There was no cover. I was stiff with fear. I tried to move my head but there was a punchbowl, no, an invisible hand holding it in place. Then out of nowhere the monster appeared.

AAAAAAAAAAAAAAAAAAAAAARRRRRRRRRRRRRRRRRRRRRRRRRGGGGGGGGGGGGGGGGGGGHHHHHHHHHHHHHHHHH!!!!!!!!!!!!!!!!!!!!!

 

I considered. Well, I slipped a couple of times. The scream was a rather nice touch, though, if I do say so myself. I guess I’m about ready to get on with Hayden’s dumb story. If only I remembered how to reset this thing…

Whoa! What’s that blinking red light. Now the bowl’s gone whaco. I hope they don’t expect me to pay for the damages because if…

I heard a noise behind me.

“Fred Milish, your time is up. Others are waiting,” a voice said.

Oh, this is just great. It’s the Slave-Driver, come with tidings of unpleasant things, no doubt.

“But I’m not done! I still have plenty to do.”

“Trainees have to share this machine, Mr. Milish, and your time is up.”

“But I haven’t even…”

“Would you like to spend another day cleaning toilets, Mr. Milish?”

“Okay, okay. Just give me time to wrap this up.”

“You have one minute.”

I tried to glare at him, but he ignored it. Cursed man! Oh well, at least I don’t have to do Hayden’s story yet. Maybe I can switch assignments with George, he’d like this depressing stuff, think it’s all very moving and intellectually stimulating. I hope he takes it. Goodbye! I hope someone is reading this.

Yours truly,

Fred Milish

Now if I could only shut this thing off. Wait this blinking button says

The End.

First Person, Therefore “I am”

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An observation I’ve made recently:

Back in high school, I routinely turned to first person for stories, especially comedic works. I had a knack for exuberant characters. Dialogue was my first strength as a writer, so a rambling first person narrator was pretty much up my alley. (Like my short story “The Deadliest Sword,” which is a strange meta-story about first person narrators and one of the earliest appearances of Fred Milish, of Trouble on the Horizon fame. I’ll have to dig it up and post it. Remind me.)

(Update: Here it is.)

After high school, though, I tended to avoid first person, simply because I was excessiveI was learning to cut words and hone descriptions, and I didn’t trust myself to do it well in first person.

Novels started after this era, like The Unremarkable Squire, focus on third person. Actually, The Unremarkable Squire is quite the distance from my early comedic first-person work, avoiding even third-person insights into the protagonist’s thoughts.

I returned to first-person writing in The Story Project, but that was written as a series of fictional blogs, so the conceit helped me focus the writing style.

Then came The Isle of Gold, which I began in third-person, but it just didn’t work. It was a story that needed to be “overdone,” so to speak. The romantic adventurer need to express his thoughts on beauty in superlative, personal language. That was half the point of the novella. It’s not everyone’s cup of tea (ask my brother), but I love it.

And now I’m writing The Well’s Orphan, a new book for the Children of the Wells webseries. I planned it in third-person, even making notes to myself how in certain chapters it needed to be detached third-person. And then, days before I started writing, I switched. 

It’s a little frightening. This story needs to be tight and emotive. It needs to drag you along and get you to empathize with a character not everyone likes–Calea Lisan. I like to harass Natasha about how all YA books are first-person present tense just because it’s “cool,” and now what am I writing? An entire novella in that style. (Sure, I wrote half of The Select’s Bodyguard that way, but I still reverted to my traditional third-person limited for the other half. And Bron is, so to speak, a bit over-the-top in his single-mindedness.)

So, how do I write from inside the head of an overly-intelligent, emotional injured, socially brutal, philosophically hopeless twenty-something female scientist/magician?

I’m trying to figure that out. Stay tuned.

If You Ever Wanted To See My Ugly Mug….

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…you’re in luck! Recently, I was interviewed about my new novel The Unremarkable Squire by my friend and fellow writer Nathan Marchand on his vlog, But I Digress…. We talked inspiration for the novel, examined why it took me so long to finish it, read an excerpt, and discussed various other writerly things.

Also, we banter with the incomparable Leo. Enjoy!

And, for fun, I was asked to write a Top Ten List for the show. I think you’ll enjoy.

Childish Fears

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The hallway was dark and full of hiding places. The black shadows halted Anne for a moment, but it was crawling out from its lair. She flung herself out of her room, crossed the great void, and smashed into her parent’s bedroom door. She fumbled with the knob. Scooting, scratching across the carpeted floor it came. “Momma! Dadda!”

Dadda lifted her up and held her close. She pressed her face against his chest.

“It’s all right, Annie. Don’t worry, we’re here. It’s all right.”

He sat her in the bed between himself and Momma.

“What’s the matter, sweetie?”

She gasped for air. “M-monster.”

“There’s no monster,” Momma said.

Anne pursed her lips to hold back more tears and shook her head.

“It was just a bad dream,” Dadda said.

She stared stubbornly forward. “Monster.”

“It’s all right. There’s no monster now.”

The door was ajar. It could slither in, still. “Monster,” and she pointed.

“It’s time to lay down, Annie. You can sleep with us, but it’s time to sleep. There’s nothing to worry about.”

They placed her on a pillow, their bodies warm walls against the night. She stared at the ceiling, her body rigid, until she could no longer keep her eyes open.

*     *     *

“Annie wasn’t in her room this morning,” Brody said when Mom got out of the bathroom.

“She had a bad dream. She slept with us.”

“I used to have bad dreams.” Brody, at four, wanted to show how mature he was.

He found Anne on Mom and Dad’s bed, laughing as Dad tickled her. “Annie!” he called. “Annie! Did you have a bad dream?”

The fairy-birthing giggle and squeals stopped. Anne sat solemnly and stared at her older brother.

“It’s okay,” he said. “I used to have bad dream. I don’t any more.”

“Monster chased me.”

“Cool. What did it look like?”

“Big furry snake. It tried to eat me.”

Brody studied her. “Let’s eat breakfast.”

“Breakfast time!” shrieked Anne. “I want marshmallows.”

*     *     *

Mom struggled, unsuccessfully, to put Anne’s pajamas on. She squirmed and twisted. “No bed! No bed!”

She got a swat, which stopped the movement and started the crying, but the pajamas got on.

“Bad Annie,” Brody said from the doorway where he watched. Mom shooed him away, but he came back.

“I’m scared,” Anne said.

“There are no monsters. Look, I’ll show you.”

Mom lifted the skirt of her toddler bed to show her. “See?”

“I want to sleep in Momma’s bed.”

“You’re going to sleep in your bed. Pick a book to read.”

They read Good Night, Moon. The rabbit had lots of things in his room but no monsters.

*     *     *

She woke. The orange light from her princess night light transformed her room into a vast cavern, full of passages and secret alcoves. She searched the shadows. They reached out, the hands of strangers. But if she stayed in bed, they could not touch her.

She waited. She turned, trying to get comfortable.

Then she heard it, low, beneath her–Sssssss. “Monster.” She pressed against the far side of her bed. Something was moving, slowly, hiddenly, sliding softly across the floor.

She burst out crying.

*     *     *

Brody munched on dry Fruit Loops as Dad washed last night’s dishes. “Annie, did you have a bad dream again?”

Anne was picking through her Lucky Charms for the last marshmallows. She nodded.

“Was it a monster?”

She nodded again, face screwing up to cry.

“Daddy, can Annie sleep in my room? I’ll take care of her. I used to have bad dreams. I don’t now. I’ll show her.”

“That’s very nice, Brody, but she needs to learn to sleep in her own room.”

“One time? Pretty please?”

Anne, not quite understanding what was happening, repeated her brother. “One time? Pretty please?”

“Let me talk to Mom about it.”

*     *     *

That night, Dad moved Brody’s mattress onto the floor of Anne’s room. “If you come out, you’re going back to your room.”

“I won’t,” Brody said.

Brody and Anne sang together once the light was out and laughed. Anne liked having Brody with her. “Don’t worry, Annie. I’ll protect you. I’ll show you what to do about bad dreams.”

She woke to darkness. Brody was snoring quietly. “I’m scared,” she said.

Brody woke and looked at her.

“I hear it,” she said.

Brody stiffened. He heard it, too. Slowly, he sat up. His eyes were fixed beneath her bed. He stood and started toward the door, watching it creep out from its hiding spot.

“Stay here,” she said. “Don’t go. Stay. I’m scared.”

Brody’s back reached the door. “It’s a big snake.”

“Help. Help me, Brody.”

Quickly, he turned and opened the door. She heard him run down the hall and open another door. He said something. He was telling Momma and Dadda.

It was slithering out, slithering up, raising its hairy head.

Her door creaked and she raised her arms for Momma and Dadda. But they weren’t there. She saw horns and eyes and a big mouth.

The new monster charged in, scaring the snake. It pressed its head under her bed, snorting and snuffling and growling, searching. Her bed shook as the monster’s antlers knocked against it. She drew in breath and almost cried.

“Go away.” It was Brody’s voice. The monster of horns and teeth pranced away, leaving only her brother, standing in the doorway.

“It’s okay, Annie. It’s okay. I used to have bad dreams. Now I have pets.”

I Spy – Unremarkable Squire Edition

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I’m convinced most novels are a mixture of random, possibly incompatible ideas. Who knows how many different influences I had while conceiving, writing, and editing The Unremarkable Squire? More than I can list or remember.

Still, for fun, I thought I’d list some of the allusion/puns/winks contained within the novel that you may have overlooked:

  • Two separate allusion to Shakespeare plays, one that plays quite an important role.
  • A place to dine reminiscent of  a famous Poe short story.
  • A river named after a mathematical concept due to its undulating path.
  • A brief cameo by one warrior princess and three French swordsmen.
  • A squire with a suspiciously familiar name.
  • Boatloads of koine Greek origins for words, because I was studying it at the time. For instance, Paskon = pain.
  • Speaking of which, why do suppose Paskon has a thing for apples? (An apple a day….)
  • Fun fact – The time between the Splitting of Rael and the events of the books is 70 years, which is the length of the Jewish exile in Babylon.
  • Characters named Lance Valentino and Obed Kainos show up in The Story Project. Actually, those were inspired by The Unremarkable Squire and not vice versa.
  • A lot of rulers in Basileon just use their title as their name: “The city of Baryn, which had been called Monseer a short five years before and the Eternal Empire of Dafin before that…” Read: Baron, Monseigneur (approx.), Dauphin

And….

  • Misan Throp wants to live alone. Obviously.

 

Limited Time Offer!

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squire_reviewAll right, time for a bit of promo because there’s lots of neat stuff going on with The Unremarkable Squire, but only for a limited time.

First, it’s Barking Rain Press’s anniversary, so there’s a 50% off site-wide discount going on during September. That includes the one and only newly released fantasy novel by yours truly. So, head over to my book’s page and use the coupon BRP2YEAR at checkout to purchase the print/ebook for half-price if you don’t already have a copy.

Second, I want to write you a story. Yes, you, dear reader. Most of you know I enjoy flash fiction (stories under 1000 words). I have nearly 60 of them on this site. Well, for anyone who posts an honest Amazon review for The Unremarkable Squire before October 1, I’ll write a flash fiction (or longer, if the story demands) based on your prompt.

As an example, I just posted “The Path Ends,” a story prompted by Angi Adams. She gave me the prompt “Turquoise Tragedy,” which I mulled around in my brain and transmogrified into a story of a people building a road to the dwelling place of their god. Read it–and consider writing a review so I can unearth the potential of your personal story prompt, too, whatever that may be. You never know what I might come up with.

Here’s the Amazon review page for your convenience.

Above all, though, I want to thank you, dear reader, for stopping by. I’d write regardless of anyone reading it, but it gives me all the more reason to carve out time with my pen and notebook if others are enjoying the words I scrawl out. And if you like it, perhaps someone else will as well.

 

The Path Ends

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Yesterday four more workers died. That made nearly fifty in the last two weeks. But it would not stop the Path’s progress, for Foreman Elias Acunto knew the bricks of the Path had always been laid with blood, and he kept this fact constantly before him to steel his resolve. The paving was a task worth the sacrifice of men. Innumerable men, if necessary. Generations of men. But that did not blunt the pain of the daily attrition.

The men waited upon the cracked earth for his morning speech. It was his job to motivate, to inspire, to remind them of the purpose behind their drudgery. To give their suffering meaning.

When he was young, his soul sang forth his duties. But in the last four years, as his team had driven deeper and deeper into these blasted, lifeless lands, the music had grown terrible and monotonous.

His throat was dry. Elias took a sip of his water ration. He would gladly have swallowed it all in a moment, but it was still hours until the Fire touched the horizon. They worked in the dark, in the relative cool it provided, but still the heat collected them in its hands and pressed them, squeezed them, rang them out like rags, and did not release its grip.

Elias had not returned to the last Way Temple for more than a year. He had thought he would grow used to the brutal days and hopeless night by sheer perseverance. He had not.

He approached the men who waited for his prayer and encouragement. They sat in their rows on the broken ground like discarded husks. He looked at each of them, silently, and they raised their heads in the torchlight to meet his eyes with dulled vision.

His prepared words were meant for other people, for imaginary people. What should be spoken were wordless groans. He fell to his knees. What these men needed, what he needed, were not empty words, but a sign. Were they to continue day after day, laying bricks for the Path through this everlasting hell with no hope of reprieve or success? Did the Fire mean to slay them for their desire to know him?

The words that came were born of the long nights and interminable days, of the heat and starched air, of the primal desire to find the one who hid in plain sight.

“Fire of Life,” he cried, “who illuminates the world and causes all things to grow, who warms the blood and sets the earth about its times and seasons, hear us, I beg you! Relent! We are but men. Relent! We do not make to approach you out of envy or pride. We do not hope to usurp your holy throne. We long to gaze upon you with our own eyes, to see your dwelling place and to worship you. Why do you beat us and flay us? Why do you torture and kill us? We are mere mortals, a breath, and you are everlasting. Have mercy on us! Have mercy!”

The men moaned in agreement, and together they wept.

*     *     *

Up rose the Fire, his light revealing the stark, twisted earth. Up rose the Fire, his gaze consuming the land, until every blade of grass turned black and every puddle cracked. Up rose the Fire, driving men beneath their meager shelters, to writhe upon their mats and gather spit upon their tongue.

And the Path, unbroken from Penquenta, the first city, which ran unerringly through countless miles of plains and forests and mountain, ended in a jagged tear.

Nothing moved. Foreman Elias Acunto lay perfectly still, his vision smouldering beneath closed eyelids. To adjust oneself was to disturb the equilibrium of air and furnace heat.

A cry woke him. Again it came, startling the corpse-land. The air shuddered, as if jolted with electricity, with the sudden spasm of a decapitated animal still thrashing. Elias rose, struggling against the atmosphere, standing as if beneath a yoke. One of his men stood bare-headed beneath the scorching sun and pointed.

In the distance, shimmering, came the glimmer of a man.

They hunkered down again and waited.

The mirage-man stumbled into camp and fell to the ground. Elias recognized him–a scout, one of three sent out a month ago.

Elias dragged him into his shelter. The man’s lips were cracked, and he gulped the dry air, trying to gain some sustenance from the scorched oxygen. Elias allowed the man a few drinks of his own water, knowing well what it would cost him later.

“Does this hell end?” Elias asked.

The man stared and tried to comprehend.

“Is there something beyond? Does this end?”

The man nodded slowly, as if communicating between realms.

“Is it his abode?”

No–no–deliberately, dreadfully, the head shook.

“Then what?”

The lips moved. “The end.”

The scout’s mouth worked once more, liked a man talking in his sleep. The dim flame in his eyes faded.

One more dead.

*     *     *

They survived another day. And another. Water came, three days late, but it came down the long distance from the last Way Temple. They worked and shriveled in the heat. Brick by brick, the Path stretched forward toward its goal, toward the desire of man’s heart since the beginning.

Then, one day, the air stirred. Foreman Elias Acunto felt it. The men felt it. It was a ripple in the coarse cloth of the air.

They worked harder and faster.

And on another day they stood at the edge. The land tumbled down and down before them, a mass of brush and rock and disaster, until it reached a turquoise plain in the far distance. It shone in worship with the reflected glory of the Fire.

Foreman Elias Acunto saw it through tears. He had never before seen such a sight, such unearthly beauty after such bitter hardship. His men were beside him, their faces shining in the light of day.

“Do you see that, my friends?” he told them. “The Fire has heard our prayers. He has had mercy on us. The Path will run straight and will be laid with ease in return for all the days of toil and suffering we have suffered.

“Generations ago, our fathers set out from their land, intent on building a path for mankind to the Flame of Life. We have paved the way, stone by stone, to show the way to the God Who Gives Live, that man might come to him, turning neither to the right nor the left. We have traversed the thick jungles of our birth place, hewing space in the thick wilderness. We have lowered peaks and raised valleys in the mountains that towered to ensnare us. We have crossed plains of endless grass, where in winter snow lay thick upon the ground and in men’s hearts. And we have conquered the barren lands, where the Fire tested us most severely of all. He did this to see if we really meant to find him. And I tell you we are upon the threshold. Look, the way is like glass before us, like a broad road already built.

“We shall cross the great expanse before us, and beyond we shall be with him, in golden light and eternal warmth, where we shall lack nothing and shall praise him forever.”

*     *     *

Before that, however, Elias had to plan the descent. He needed a fresh crew from across the wasteland. He needed an engineer acquainted with such terrain as remained before they reached the brilliant plain below. The Path must remain as smooth and direct as possible, even through these final obstacles.

He sent surveyors to examine the path ahead, including the Field of Glass below.

The operation was transitioning nicely when one of the surveyors returned and took him aside.

“Foreman Acunto, the plain–it is not at all what you think. It is not a surface. It is water.”

“Water?” He could not quite grasp the concept. In all the travels of his people, who had ever seen so much water in one place? “All of it?”

“All of it.”

“How far is the shore?”

The surveyor looked embarrassed.

“Well?”

“We don’t know.”

“Isn’t there a shore?”

“We don’t know.”

“Let’s go around it.”

“We will have to send a long-distance expedition to see if it is possible.”

“Possible?”

“We may not be able to go around.”

“You have no proof of that!” Elias shouted.

“You haven’t seen it, sir.”

“Then maybe I should.”

“Yes sir, you should.”

*     *     *

Foreman Elias Acunto had visited the great grasslands in his youth. As he descended, he told himself that was what it looked like, this endless water. He knew very well it did not. As one got closer, one saw the regular ripples, the rhythmic unevenness of the turquoise surface.

Then he stood on the shore, his feet sinking in sand, and he stared out across the water, the endless, glorious water. The Fire’s cyclopic eye gazed down upon him, watching him carefully, and the god’s flame danced in the distance upon the water in blinding displays of playfulness.

The wind tugged at Elias, like a child pulling at his shirt to get his attention.

Elias stared to the horizon, so different from the heat-baked curtain he had spent years staring at. He tried to pierce the far end with eyesight, tried to glimpse some hope beyond. And as he lost himself between sky and water, he began to understand.

He fell to his knees in warm sand.

The Path would come this far and no further. Here, the Path would end, in warmth and comfort. It would end at the water’s edge. It would end, and men would drowse beneath the Fire they had once sought. They would soak themselves beneath his gaze and grow sleek and beautiful. Here, they would make love and raise children.

Elias moaned in pain, in inexpressible longing. The blood of a hundred thousand men had brought them here, to this lethargic shore. Here, the dreams of an entire people whispered away in soft waves.

Perhaps a bridge? But over such distance? Surely the water was deep beyond, and cold, and turbulent. What men would toil when they had reached Paradise?

Elias waded into the water. It feathered him, massaged him. He closed his eyes and listened to the murmurs.

Here, right here, the Path ended.

He ducked his head and came up again. His eyes burned.

And the taste of tears were on his tongue.

 (END)

The story was prompted by Angi Adams. Her prompt was “Turquoise Tragedy.”